Spider Chaney Jr.

Have you ever watched Dragon the Bruce Lee Story and looked at the kid playing the young Brandon Lee and you sadly think of what happened to Brandon years later when he was shot dead due to a prop malfunction on the set of The Crow?

A stranger experience is watching Man of a Thousand Faces where a dying Lon Chaney played by James Cagney signals for his son Creighton to hand him his make up box inscribed with his name and with greasepaint he adds "Jr." to the "Lon Chaney". A Hollywood film signalling the start of Lon Chaney Jr.'s career of putting crap on his face for the sake of film.
The irony being that the mixture of a famous name, being connected with enduring painful make up techniques like his father and being a hulk of a man. Chaney Jr. was either a monster or a goon for 95% of his career and the pressures of Hollywood turned him to a life reliant on alcohol. You almost think Lon Chaney Sr. would have served his son better if he left the make-up box as it was .
No matter what Lon Jr. always remained under his father's shadow. Who was respected for playing tortured souls like Quasimodo and the Phantom and not just because he put on a lot of make up. However you could say his career blossomed, he is the only actor to play a vampire in Son of Dracula, the Mummy, Frankenstein's monster and of course the Wolf Man.
Playing The Wolf Man was one of the twelve step backs towards alcoholism. The make-up and effects in the film were gruelling 6 hours to put on 3 hours to take off, with some of the transformation in The Wolf Man series clocking up a shooting period of 24 hours. That's 24 hours of Chaney Jr, lying down while they slowly add more and more hair and prosthetics to his face. Who wouldn't want a tipple under those circumstances? It's fair to say that Mr. Wolf Man was pretty drunk by the end of those transformations.

Lon Chaney Jr.'s alcoholism became embarrassingly public knowledge when he turned up inebriated to play the monster in a live TV production of Frankenstein, you would think it's a character where the actor could get away with playing it drunk, but unfortunately Lon thought the live broadcast was merely a dress rehearsal, so instead of smashing things up like the monster is supposed to do, he picked up props, mumbled "break later" to himself and put them back down in one piece.
Lon Chaney Jr.'s career of playing scary things under layers of make up is bookended by two stand-out performances. Neither of them under disguise. Near the beginning of his career he played Lennie Small and near the end of his career he played Bruno in Spider Baby.
And for me, Spider Baby is what I'll remember him for. Not The Wolf Man (although I am a fan) . In Spider-Baby we see Lon's character wear his heart on his sleeve as Bruno, the elderly carer for the children of the Merrye family, a family stricken with an unfortunate disease called Merryre Syndrome, in which they devolve and regress mentally, socially and physically. His relationship with the children is interrupted by two distant relatives who feel they are entitled to the house and to put the children into care. Bruno's desperation to keep the family together and cared for by him as promised to their parents knows no bounds and it's in this he gives his most soulful performance.
The alcoholism was public knowledge at this stage, although some crew members claim they never saw him touch a drop, others were well aware that the oranges he seemed to love so much were injected with hard liquor. That's when you know an alcoholic has gone pro. Aware of his problem, ashamed almost, but still coming up with ingenious ideas of how to keep it up.
Lon Chaney Jr. was hailed to be a child prodigy and like his father become one of the biggest stars in the world (Chaney Sr. was just behind Chaplin) and ended up being used and spat out by the industry that embraced his father so much. Only to end up being an alcoholic in low budget horror comedies like Spider-Baby, without make-up, playing the straight man to the monsters. The irony is how this was his best performance, though unfortunately not his swansong, he went on to star in several more films, his final role being, fittingly a supporting one in Dracula vs. Frankenstein.

He died of heart failure aged 67.
Seek out a copy of Spider-Baby and raise a glass to Creighton Chaney, the fallen prodigy.

The Blair Witch Project : A Semi-Personal Reflection

The Blair Witch Project is 10 years old this year. In the UK and Ireland is wasn't released until October 1999 and I remember it well.

I was 15 and went to see it at the Screen on D'Olier Street in Dublin. I was and still am an avid reader of both Total Film and Empire and was closely following the phenomenon on the net,needless to say I was very excited.

First of all there was the rumours that it was real, genius! But even after that was proven nonsense it was still the most interesting film to come out that year. Reports of people running out of the cinema vomiting, amazing, there hasn't been such an intense reaction to a horror film since The Exorcist (the fact that half of those people were vomiting because the camera work in BWP was so shakey doesn't matter, the other half were scared).
The build up was unbearable. Channel 4 had a fantastic documentary about the film a few nights before it opened. I recorded it and watched it twice. The anticipation was killing me and I couldn't wait to get into that cinema and then it started...
I'm gonna pause here to say that this isn't another "The Blair Witch was hyped up shit!" rant.
I was breathless, I was shaking, I loved it, it was everything I wanted it to be, nauseating, unsettling, slow burning, disturbing, bleak, harrowing, infuriating. In other words it's not for the masses, it's not a mainstream film, it should have been a tiny little cult horror film that people would pass around to people who they knew would appreciate this experiment in terror.
Unfortunately that was never going to be the case, BWP became (regarding budget to gross income ratio) the most successful film ever made. It was shot 16mm black and white film as well as a consumer camcorder but was blown up on screens in multiplexes across the world.
This resulted in the crime that was the Blair Witch Backlash. People tore into it, calling it, boring, pointless, unscary and yes, nauseating.
And the ill advised sequel didn't help much.
I kept on loving it though as it also inspired me and thousands of other wannabe film-makers that thought they couldn't make a film on a camcorder.
On Halloween two years ago, we found out our friend was one of the few who never actually saw The Blair Witch Project. He wasn't attracted to the hype and the backlash put him off even more. So we slipped the rarely touched DVD into the player and sat down to view BWP again (despite my enthusiasm I've only watched the film 2 or 3 times in 10 years). At the end he was shaking and scared and speechless, it was great to see the film still work on a fresh viewer after the hooplah had well died down.
The Blair Witch Project remains a defining moment in cinema. It was a pure horror film when other's were ironic or CGI laden. Studios started looking for the next low budget horror that can make them rich, future filmmakers started making their own witch projects in the woods and the Internet really showed what it could do.
The creators went on to make their own separate straight to DVD films and the actors faded into obscurity but their influence goes on.

So pay your respects and revisit this fallen classic, chewed up and spit out by the audiences of the world because they were told they were going to see something different and for once they weren't being lied to.